RICCARDO HERNANDEZ

Princess Grace Statue Award, 2000

Princess Grace Award
Theater Apprenticeship, 1992
INTAR Theatre

 

 

A.R.T.: Riccardo Hernandez has designed sets for Britannicus, Romeo and Juliet, Desire Under the Elms, The Miser, Uncle Vanya, Marat/Sade, Full Circle (directed by Robert Woodruff), Enrico IV, Phaedra, Othello, The Doctor’s Dilemma, Three Farces and a Funeral, and Dream of the Red Spider. Broadway: Tony Kushner’s Caroline, or Change; Topdog/Underdog (also Royal Court, London); Elaine Stritch at Liberty (also West End’s Old Vic, London and National Tour); Parade (Tony and Drama Desk Nominations) directed by Hal Prince; Bells Are Ringing (directed by Tina Landau); Noise/Funk (also National Tours and Japan); The Tempest. New York: Over a dozen productions at New York Shakespeare Festival/Public Theater where he has collaborated with George C. Wolfe, Brian Kulik, Mary Zimmerman, Ron Daniels, Liz Diamond, Graciela Daniele, Peter du Bois, among others; Santa Fe Opera, Lincoln Center, Second Stage Theatre, New York Theater Workshop, Manhattan Theatre Club, MCC, Playwrights Horizons, Cherry Lane Theatre, Brooklyn Academy of Music, etc. Regional: ACT, Alliance Theatre, Arena Stage, Center Stage, Dallas Theater Center, Geffen Playhouse, The Goodman Theater, Hartford Stage, Kennedy Center, La Jolla Playhouse, Long Wharf Theatre, McCarter Theatre, Mark Taper Forum, Old Globe Theatre, Seattle Repertory Theatre, South Coast Rep, The Shakespeare Theatre, Yale Repertory Theatre, etc. Opera: Lyric Opera of Chicago, Houston Grand Opera, New York City Opera, Los Angeles Opera, Pittsburgh Opera, Michigan Opera, Opera Pacific, Berkshire Opera and Hong Kong. Cuban born, raised and educated in Buenos Aires, Argentina. Ed.: Yale School of Drama